BIO

Danny Foley is an artist based in Cork, Ireland. He holds a First-Class Honours degree from MTU Crawford College of Art and Design (2025), and has received multiple awards and residencies, including the Student of the Year Solo Exhibition Award, the Backwater Artists Group Moving Image Residency Award, the Sample Studios Network Award, and the Thesis Award. His work has been acquired through purchase prizes by Cork City Council, Cork County Council, Eli Lilly, and the MTU Arts Office. Foley’s work has been exhibited in Ireland, Hungary, and Estonia. Recent group exhibitions include the three-person show Shapeshifting (GOMA, Co. Waterford, 2026), MTU STEAM Exhibition EARTH (James Barry Exhibition Centre, Co. Cork, 2025), SPECIES (MTU Gallery at 46 Grand Parade, Co. Cork, and Pallas University of Applied Sciences, Tartu, 2025), The Tale of the Norway Spruce and the Bark Beetle (1111 Gallery, Budapest, 2024), and TWISTER (MAMŰ Galéria, Budapest, 2024). Upcoming solo exhibitions include Beyond Eye Sea (Lavit Gallery, Co. Cork, 26th February - March 21st, 2026) and Moving Image Bursary solo exhibition (Studio 12, Backwater Art Group, 21st August - 25th September, 2026).

ARTIST STATEMENT

Danny Foley’s work navigates the shifting boundaries between the human and the More-Than-Human World. Working across drawing, painting, animation, and installation, he explores the self and otherness through the lens of the shapeshifter.

In Foley’s practice, shapeshifting is not merely a subject, but a method: a way of working that embraces transformation, chance, and the unknown. Drawing from archival footage of his infancy, where he is seen playing with his shadow as a double or animal other, his work considers the self as unfixed, formed by ongoing encounters with the other—both human and non-human.

These themes now echo in his large-scale works and stop-motion animations. Using numerous approaches, he renders forms shaped by personal, mythic, and ecological entanglements. Each work is a threshold or a mirror, emerging intuitively through the act of mark-making, erasure, and discovery. His animations unfold as metamorphic journeys across varying terrains—where creatures transform, mirroring changes in state and being.

By reconnecting with the embodied gestures of his childhood, Foley’s work contemplates ideas of ecological consciousness, the multiplicities of being and seeks to disrupt human-centred hierarchies through the perspective of the self or other as shapeshifter.

Photo: Joleen Cronin (c)